Instituto de arte de Chicago: Presentación de Charles C.James Speyer, “Twentieth-Century European Paintings and Sculpture,” Apollo 84, 55 (September 1966), p. Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p.“Culberg’s Contemporaries,” Life (October 27, 1952), p.Art Institute of Chicago Quarterly, 46, 4 (November 15, 1952), p.Il Messaggero di Roma (July 22, 1952), ill.Offin, “Gallery Previews in New York,” Pictures on Exhibit 14, 7 (May 1952), p. Possibly James Fitzsimmons, “All Sorts of Wonderful Events,” Art Digest 26, 15 (May 1, 1952), p.Possibly Howard Devree, “Extending Horizons: Kirchner and Expressionism-Joan Miró-Cézanne Exhibition a Great Success,” New York Times (April 20, 1952), p.
(New York: Pierre Matisse Gallery, 1952), cat. Lieberman, “Modern French Tapestries,” The Metropolitan Museum of Art Bulletin, New Series, vol. Culberg Reference Number 1952.512 Copyright © 2018 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris Extended information about this artwork Status On View, Gallery 398 Department Modern Art Artist Joan Miró Title Painting (Figures with Stars) Place Spain (Object made in) Date 1933 Medium Oil on canvas Inscriptions Inscribed on verso, c.: "Joan Miró" Dimensions 78 × 97 in. Two of Miró’s designs, including this one, were made into tapestries at the famous French Aubusson tapestry works. This painting, titled Painting (Figures with Stars), is one of four cartoons for tapestries commissioned in 1933 by the French art collector and gallery director Marie Cuttoli. In addition to designing theater sets, backdrops, and costumes, Miró was involved in the decorative arts. Others, including Joan Miró, embraced it as a venue for new creative possibilities. For two of the great leaders of the movement, André Breton and Louis Aragon, this engagement defied the core principles of the group by bringing avant-garde art into the marketplace. In the 1930s, the Surrealist movement grew beyond its avant-garde art origins and extended into the mainstream realms of commerce and advertising, fashion, theater, and design.
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